November 28, 2011
The Football; The Bong
October 09, 2011
Five Days of Bongness
- The fact that the food I yearn for during these 5 days is so very hard to get outside my home in Calcutta. The rolls, the puchkas, the bhog - everything seems different and seems to fall below the standards that a young you would have set up. Money can’t buy you the khichuri on the morning on Ashtami made by your mom, for everything else; you can use your credit card. I dislike the fact that we have put a man on the moon and yet we don’t know how to ensure chhanar payesh does not go bad within 2 days!
- The fact that every
self respecting bong starts shouting in a very strange North India
influenced way – Durga Mai ki Jai. Now clearly Bongs and Hindi
pronunciation don’t go together so it ends up in a form of “Doorga Maaeee
Ki Joy”. Now while going to Vaishnodevi you start shouting this I have no
issues; in fact if I ever can make the trip I can outshout you. But
seriously for us core “Karonbaari” drinking
Shaktos it’s cringing to shout
Jai Jai instead of rolling all over the floor crying like a baby “Ma Ma”
(The Tantric influence is strong in us. We also worship Goddess Kali you
see)
- The fact that all Bong women suddenly start wearing the gorgeous sarees. All through the year, the British taught Bong will be stuck up in his Victorian morality and will not even look up even if Paris Hilton walks past him. But deep inside him, as taught by most of his great ancestors, there is a hidden romantic. And these 5 days the women of Bengal decide to test the resolve of the Bengali man. Age no longer remains a barrier (upwards I mean) and if by chance the woman has decided to let her hair out of the natural work day bondage, the Bengali man starts reciting his Jibonanondo, imagining the long black hair to be the darkness that hangs over the ancient city of Bidisha. Again by desktop research I have found out that in North Calcutta, 76% of the para romance happens when boy meets girl at Pushpanjali.
- The fact that everyone turns a dancer. Dhunuchi naach is an art. The fire held in the hands is a symbolism of the fire within. But every Ajoy Babu, Bijoy Babu and Sujoy Babu, after their 2 pegs of Old monk will become a dhunuchi dancer. And sometimes, there is flower inside the dhunuchis instead of fire! This is more scandalous than Messi being called the new Maradona. The burn on my left foot starts itching and all I desire is to give the gentlemen a kick like our God Pele had given the phootboll when he had come and played in Calcutta.
- The fact that there
is a logical discrepancy in the prayer. Now having had the Marxist
influence on most of our upbringing, these are perhaps the only 5 days we
pray. (and also on Christmas but that’s more for the cake I guess) First I
dislike the fact that contrary to everything that Howard Roark stood for all
neo capitalists start saying dehi
dehi. I mean I seldom have seen a race to be such a strong believer in
being a Momma’s Boy (I am a proud one) but to even pray asking the Mother
of All to just give (almost everything you can think of) is taking it a
bit too much. Now I could have survived even that. But the fact remains is
that after all these years and carefully listening to every priest I have
figured out that nobody knows what the correct “mahastami anjali mantra”
is. It completely depends on what mood the priest is in on that day. Since
2000, I have not heard the same mantra being repeated even once!!! I mean
the only difference in the Christian call to the Trinity is that some
people love to call the Holy Spirit the Holy Ghost. Now that’s still
manageable!
September 29, 2011
After 34 Years
October 18, 2010
Probash e Pujo
Since I have started working for SNDU, my Pujo has been highly erratic. Sometimes, I manage to go back home, sometimes the images and the colours of Pujo come knocking at my door. Sometimes I miss all that makes Calcutta the city I have left behind, sometimes I find a small Calcutta in the heart of whatever place I am in. This was my fourth Pujo at SNDU and I missed going back home again.
When I first left Calcutta for the 2001 Pujo, I had felt miserable but within the deserts of Rajasthan I found something that will remain the definition of the Pujos for me. Working weeks to ensure that the Pujo happens without any glitch, acting the senior as well as the obedient junior, running back from classes to give the Anjali and never going back, dancing with the hot dhunuchis, Pilani defined Pujo as it should be. Bangalore was difficult but with the bongs around things was always nice. Whether it was the shamefully expensive buffet dinners we had to the time we made up for it by gorging on sweets at K C Das, it was nice to be around friends watching a new city celebrate the festival so close to our hearts.
My first year in Mumbai Pujo was a crazy trip around the Maximum City trying to soak in as much as I can; the essence of all things Bengali and that had made me yearn to go back to Calcutta. It’s not that I could not find a place to go during these five days. I believe that it’s easier to find a Durga Pujo in this world than finding any semblance of sense in my posts.
So finally last year, I was back in Calcutta. The city, at least the part I have grown up in, had decayed even more. Wherever my travels have taken me I have found that some parts of the city always remains forgotten; a ghost of the glorious past. And no where is it starker than in
Have you seen the new Hero Splendour ads? That’s where I grew up in. The decaying walls, the political graffiti, all that my childhood was made up of.
This year SNDU sent me to a course and thus I was staying back in Mumbai again. And I had time to think about what Pujo means to me. Sitting during the lunch break on Worli Sea Face, looking into the bright sunlit ocean, I wondered. From the times when seeing the maximum number of idols defined Pujo, to the time when we “grew up” at Trincas and wondered about Maddox Square, life has indeed changed a lot. But what has not changed is my endeavour to explain to people, especially non Bongs, why we celebrate the Puja as we do. Why it’s about the daughter coming home and not necessarily of good triumphing over evil. When the family is together, there can be no evil, can it? I remember the generations of Bengali mothers who have sung for their daughters. It’s painful, how a mother and daughter accept their separation when the daughter is married. I have seen the pain in my parents’ eyes when my sis got married and I have seen their eyes light up when she comes back. Who cares about Raavan dying?
But when I stood at Shivaji Park, swamped by people all around me, I could hear the sound of the dhak reverberating through every vein of my body. The most primitive of all sounds, the drums raise the call of the forgotten nomad in our bloods. Its earthiness reminds us who we were, who we still can be. I missed my family and realized that sometimes the strongest bonds are of blood, not necessarily of love. And it’s not a bad thing.
Some called, from Delhi, from New York, from other parts of the world. Others I did. Many I forgot to call and I am sorry for it, but to whoever is reading this post, Shubho Bijoya. Asche bochor abar hobe :)
April 12, 2010
The Dada in Every Bengali
Before you worry, this post is not about Ganguly, neither is it about the “dadas” of Mumbai. This is about the dada who resides in the heart of every Bengali.
Dada is a nice person. He typically works in one of the offices around Esplanade. But before that there are important things he must attend to. In the morning, he goes to Manicktala market to buy the fish and on his way back he discusses the preparations for the upcoming Durga Puja, whatever time of the year it might be with the youth of the locality, who have just got admission to Presidency. He is back home by 7 and after a nice bath he walks out of his house to take stock of what’s happening in his ‘para’ (locality). Everyone knows him and likes him because if there is ever an issue, you just need to call Dada. He is apolitical, yet both Reds and Greens speak highly of Dada as he can get the locals to organize a cultural program in less than a week.
Dada lives mostly in
Dada today is sad. His ‘para’ is now a conglomeration of housing societies. The houses have all but vanished. As
The other day I was in
The driver was an old man, looking helpless, there were a couple of kids in the backseat, desperate to reach home, tired after a long day at school.
I am not used to seeing apathy in
But suddenly, Dada arrived. Not one, or two but a whole lot of them. Suddenly Dada remembered that years ago, he dictated the decorum in his para, not some hooligans. The bikers removed the bikes, the kids went home and I went on my way chuckling.
Dada still lives, maybe not for very long but then who knows.
December 24, 2008
Prose and Poetry
One of the most endearing pictures of the quintessential Indian loser in love is walking crazily across the road, with a bottle in hand and speaking in his mind to his girl back home.
So yesterday I was in a similar situation with a few minor details changed. I had a benadryl bottle in my hand, I was walking unsteadily due to a hurt toe and I was on phone with my grandmom with the headset on. But anyway, my similarity with Dev D is a matter of a different post.
One of the many reasons I love talking to my grandparents is that they are the last remaining lexicons on Bengali poetry in my life. So as the Benadryl was beginning to have its effect on me and the taxis seemed to not notice my sizable bulk, she reminded me of a poem by Kalidas Roy.
Here’s the gist – The master and his disciple decide to go all the way on Rameshwaram to Tribeni to bring the sacred waters and pour it on the head of their deity in Rameshwaram. For days they walked and finally reached Tribeni, filled their container with water and started their long journey back.
On the way they meet a donkey almost dying of thirst amongst parched lands. The master stopped and asked the disciple to give the water to the donkey. A devoted disciple that he was, the disciple agreed without a question. But he wasn’t happy.
After walking for a few more hours, the master asked, “What happened? You don’t seem to be happy.”
The disciple burst out, “We went all the way, undertook all the hardships and now we are going back tired, dejected and empty handed because we gave the holy water to a donkey!”
The master smiled and answered, “Don’t you see how lucky we are? Because we were so tired, our Lord himself came all the way from Rameshwaram so that we could give him the water here itself. He did not want us to carry the water all the way with our tired bodies.”
Merry Christmas everyone. Spread the joy.
October 25, 2007
The Quintessential Bengali and the Durga Puja
For me even the incessant noises of Calcutta during the Pujas hold a special meaning. You had introduced me to Neil Diamond. And here’s something from him,
Coming out from the street
Got a beautiful sound
It’s got a beautiful beat
It’s a beautiful noise