Sometimes I feel we have forgotten
to be angry. We have forgotten what it is to seethe in uncontrollable rage. We
accept and move on. We let it be, for we fear retribution. The only time we
allow our anger to come out is when we are in a crowd. The anonymity gives us
courage. Our true animal instinct from our hunter gatherer days comes to the
fore and we often engage in mindless violence as the anger bubbling beneath our
calm visage comes forth.
I for one have never shied away
from smiling even when I wanted to shout the heavens down. Anger never solved
problems, I kept telling myself. Yet there are days when I want to be angry. I
want to feel the burst of adrenalin that rushes forth as anger is released. But
all I feel is cold fury; somewhere deep deep down.
That’s when I wonder if others
have felt this rage. And I find my answer in art. I find it in Robert De Niro
in Raging Bull, in Marln Brando when he walks ‘On the Waterfront’, in the Bengali
literature of the tumultuous seventies. I find it in my peace loving elder
colleague’s quiet admiration of Amitabh Bachhan of the early Eighties. I find
it in Caravaggio’s angry strokes. Every time a society is angry, art creates an
outlet for its rage.
I turned to Bollywood late into
the night, angry with nothing in particular and I found my old DVD of Ghatak.
Rage has never been so well depicted in Hindi Cinema. The movie is the
depiction of a society bursting at its seams, frothing in its mouth and waiting
for the change it desperately wants.
Since then, India prospered, moved
forward and our movies changed, some say evolved. And raw anger was no longer
what you wanted to see in your movies.
And slowly, as I said, I realized
that we have forgotten to be angry anymore.